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| GM 2051 |
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Gunther
Schuller:
Beethoven: Symphony #5 / Brahms: Symphony #1 |
This CD has now been digitally re-mastered!
This
is not your ordinary CD. Specifically, it is not
your ordinary symphonic recording. This is a
handpicked orchestra, assembled by Gunther Schuller and
comprised of players from the New York Philharmonic, the
Metropolitan Opera Orchestra, Orpheus, and other
preeminent chamber ensembles and free-lance stalwarts of
the New York City scene, recording two giant works of the
symphonic repertory. Rarely has such an
extraordinary group of musicians been assembled since the
1950’s heyday of classical recording in New York.
Why? To
demonstrate that Beethoven and Brahm’s music is enough,
played as written, without having to be ‘helped along’
by the now widely-accepted but far-too-permissive and
out-of-hand interpretational approaches of the conductors
and performers ... to provide to the public a performance
that is completely and utterly faithful to the composers’
scores... and in so doing, to show what a conductor and
orchestra with total service and devotion to the art can
achieve.
Released in conjunction
with The Compleat Conductor, Schuller’s new
book from Oxford Press, here are perhaps the two great
masterpieces of music, presented in performances whose
prime interpretational purpose and raison d’être is to
pay full, total, unswerving, unqualified, loving respect
to their creators’ wonderfully precise and exacting
work, with all inspiration coming from and through the
music itself.
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| PERFORMERS |
David
Nadien, Joel Smirnoff, Charles Libove, Matthew Raimondi,
Anehid Ajemian, violin (first stand); Abe
Appleman, Balint Sandor, Vladimir Baranov, Martha Caplin,
Elmira Darvarova, Nick Eaner, Guillermo Figueroa, Barry
Finclair, Gemma Galdi,
Marc Ginsberg, Raymond Gniewek, Kenneth Gordon, Hae-Young
Ham, Amy Hiroga, Rena Isbin, Jill Jaffe, Nicholas
Kitchen, Gary Levinson, Curtis Macomber,
Nicholas Mann, Kerry McDermott, Sandra Park, Paul
Peabody, Anthony Posk,
Charles Rex, Mary K Robinson, Eriko Sato-Oei, Peter
Winograd, Eric Wyrick,
Sharon Yarnada, violin; Louise Schulman,
Ronald Carbone, viola (first stand);
Ronald Aaron, Daniel Avshalomov, Jean Dane, Désirée
Elsevir, Roslyn Young,
Harry Zaratzian, viola; David Geber, Andrew
Emilianoff cello (principal); David Heiss,
Michael Rudiakov, Mark Schuman, Nathan Stuch, Quiang Tu,
Frederick Zlotkin, cello; Eugene Levinson,
Orin O´Brien, bass (principal); Jaime S
Austria, Kenneth Fricker, Dennis James, Homer Mensch, bass;
Michael Parloff,* Andrew Lolya, flute;
Mary Ann Archer, piccolo; Joseph L
Robinson,* Robert Botti, oboe;
Riccardo Morales,* James Ognibene, clarinet;
Frank Morelli,* Leonard Hindell, bassoon;
Harry Searing, Thomas Sefcovic, contrabassoon;
William Purvis,*
Paul Ingraham,* Joseph Anderer, Richard
Hagen, Scott Temple, horn; Melvin Broiles,*
Mark Gould, Peter C Bond, James Ross, trumpet;
Joseph Alessi,* Austin Demian,*
Thomas Hutchinson, John Rojak, trombone;
Roland Kohloff, Richar Fitz, timpani;
Gunther Schuller, conductor
(*principal) |
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| PROGRAM |
|
Ludwig
van Beethoven: Symphony Number 5 |
|
| 1. |
I. |
Allegro
con brio |
6:17 |
| 2. |
II. |
Andante
con moto |
8:33 |
| 3. |
III. |
Allegro |
4:35 |
| 4. |
IV. |
Allegro |
10:07 |
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 |
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|
Johannes
Brahms: Symphony Number 1 |
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| 5. |
I. |
Un
poco sostenuto - Allegro |
12:07 |
| 6. |
II. |
Andante
sostenuto |
8:21 |
| 7. |
III. |
Un poco
allegretto e grazioso |
4:21 |
| 8. |
IV. |
Adagio -
Piu andante - Allegro non troppo, ma con brio |
16:51 |
 |
| Recorded
on (#1-4) 16-17 and (#5-7) 22-23 December 1995 at the
Manhattan School of Music in New York City. |
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| Producers:
Thomas Z Shepard and Gunther Schuller |
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