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| GM 3035 |
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Mili Bermejo/Dan Greenspan:
Duo |
This intimate and powerful recording
of voice and double-bass duets offers the listener a front
row seat in a performance that dances on the boundary
between strength and fragility, evoking emotions which
probe the depth of the human spirit. Featuring
fourteen compositions including six Bermejo originals
alongside works by Milton Nascimento, Duke Ellington, Bill
Evans and Abbey Lincoln, bass and voice weave a
transparent web between the worlds of jazz and Latin song.
Mili Bermejo is an extraordinary
vocalist and composer whose power and sensitivity derive
from her conviction to the lyric and her devotion to the
art of song. Dan Greenspan plays the double-bass
with a passion that makes the textures and moods of the
music almost palpable — a perfect complement to Mili’s
voice. In a world where bigger is more often than
not perceived as better, duo confirms that power in music
can come in surprisingly small packages. |
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| PERFORMERS |
| Mili Bermejo,
voice; Dan Greenspan,
bass |
| |
| PROGRAM |
| 1. |
¿Como
Hacemos? (Mili Bermejo) |
4:22 |
| 2. |
Throw
It Away (Abby Lincoln) |
4:48 |
| 3. |
Waltz
for Debby (Bill Evans) |
4:25 |
| 4. |
¡Ay
Pais! (Mili Bermejo) |
4:07 |
| 5. |
My
One and Only Love (Mellin, Wood) |
4:12 |
| 6. |
Hocus-Pocus (Lee Morgan) |
4:06 |
| 7. |
San Vincente (Milton Nascimento) |
6:39 |
| 8. |
Luna Nueva (Mili Bermejo) |
2:55 |
| 9. |
Paz (Mili Bermejo) |
5:01 |
| 10. |
Cosa Linda (Avelino Munez) |
4:05 |
| 11. |
I Thought About You (Johnny Mercer) |
4:24 |
| 12. |
Decimas de Muerte (Mili
Bermejo) |
3:45 |
| 13. |
Prelude to a Kiss (Duke Ellington) |
4:44 |
| 14. |
Anaita (Mili Bermejo) |
2:44 |
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| Recorded on 11, 18 & 19 November 1996
at the Music Room in Cambridge, Massachusetts. |
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|
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| Executive Producer: Gunther
Schuller |
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